bms_cv |
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Mailing Address 4950 Chicago Beach Drive Chicago, IL 60615 Nationality: US Citizen |
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Updated March 8, 2008 EDUCATION ** EMPLOYMENT ** HONORS ** Honorary Degrees ** Teaching ** National Grants and Honors ** CURRENT INTERESTS ** PUBLICATIONS ** Books ** Author's Overview ** Exhibitions / Catalogues ** Edited Volumes ** Articles ** LECTURES, CRITIQUES - 2004** 2005** 2006** 2007** 2008** PROFESSIONAL SERVICE ** Professional Associations ** Elected or Appointed Office; National Committees ** Editorial Boards ** Ph.D. DISSERTATIONS ** PHOTOGRAPHS ** |
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Northwestern University | B.A. | 1964 | (Philosophy and Comparative Literature) | |
Sorbonne, Paris | 1961-62 | (Philosophy and Comparative Literature) | ||
Northwestern University | M.A. | 1966 | (Art History) (Schwartz Award for Imaginative Research) | |
Warburg Institute, London | 1968, 1960 | (Kress Fellow, A.A.U.W. Hilda Stein Fellow, and America-Netherlands Foundation Grant) | ||
University of Chicago | Ph.D. | 1972 | (Art History, with Honors) |
Symbol and Myth: Humbert de Superville's Essay on Absolute signs in Art. Cranbury, NJ: Associated University Presses, 1979.
Voyage into Substance: Art, Science, Nature and the Illustrated Travel Account, 1760-1840. Cambridge, Mass: MIT Press, 1984. Body Criticism: Imaging the Unseen in Enlightenment Art and Medicine. Cambridge, MA and London: MIT Press, 1991. Artful Science. Enlightenment, Entertainment and the Eclipse of Visual Education. Cambridge, MA: MIT Press, 1994. Good Looking. Essays on the Virtue of Images. Cambridge, MA: The MIT Press, 1996. Visual Analogy: Consciousness as the Art of Connecting. Cambridge, MA: The MIT Press, 1999. Devices of Wonder: From the World in a Box to Images on a Screen, (coauthor: Frances Terpak with Object List by Isotta Poggi) Catalog for an exhibition to be held at The Getty Research Institute for the History of Art and the Humanities, November 13, 2001 to February 6, 2002. Comments .(Getty Catalog.)
Beyond Productivity: Information Technology, Innovation, and Creativity, (contributor as member of the Committee on Information Technology and Creativity) William J. Mitchell, Alan S. Inouye, and Marjory S. Blumenthal, Editors, , Washington D.C.: National Academy Press, 2003. Available online: http://www7.nationalacademies.org/cstb/pub_creativity.html Echo Objects: The Cognitive Work of Images, Chicago, IL, University of Chicago Press, 2007. Translations
Author's overview of the interrelationships between Barbara Maria Stafford's books. Imaging the Body: From Fragment to Total Display, Art Institute of Chicago, Department of Prints and Drawings, 1992 Metaphors of Biological Structure/Architectural Construction, Ryerson and Burnham Libraries, Art Institute of Chicago, 1992 Depth Studies: Illustrated Anatomies from Vesalius to Vicqd'Azyr, The David and Alfred Smart Museum of Art, 1992. Micromegalia: From Monumental Machines to Nano Devices, Eve Andrée Laramée: A Permutational Unfolding, MIT List Visual Arts Center, 1998. Co-curator, with Frances Terpak, for exhibition project and catalogue, "Devices of Wonder: From the World in a Box to Images on a Screen", The Getty Research Institute for the History of Art and the Humanities, November 13, 2001 to February 6, 2002. Planning Committee for an exhibition at the Art Institute of Chicago, Chicago Architecture for the New Millenium, Art Institute of Chicago, 2004. (In preparation) The Blackwell Companion to the Enlightenment. (with John W. Yolton, Roy Porter, and Pat Rogers) Oxford; Basil Blackwell Ltd., 1991 European Cultures. Studies in Literature and the Arts (with Walter Pape and Elinor Shaffer); Berlin: DeGruyter, 1993 Advances in Visual Semiotics, consulting editor, Bloomington: University of Indiana Press, 1995. Reflecting Senses. Perception and Appearances in Literature, Culture and the Arts. Berlin: DeGruyter, 1995. (A joint project of the Research Group on Aesthetic Illusion, University of California Humanities Institute). |
Articles - 2004 on |
(* Indicates one of Barbara's 12 most significant articles as listed in the Biosketch) 2004 "Levelling the New Old Transcendence: Cognitive Coherence in the Era of Beyondness," New Literary History, 35, Special Issue on Coherence (Spring, 2004) pp. 321-338. Cameo appearance in "Inhaling the Spore: A Journey through The Museum of Jurassic Technology", a film by Leonard Feinstein, 2004 "Gestalten des Abgleichs," in Aesthetik- Hermeneutic-Neurowissenschaft, Heidelberger Gadamer-Symposium des Istituto Italiano per gli Studi Filosofici, eds. Olaf Breidbach and Giuseppe Orsi (Munster: Lit Verlag, 2004), pp. 89-114. "Neuronale Ästhetik-Auf dem Weg zu einer-Kognitiven Bildgeschichte." Iconic Turn: Das neue Bild der Welt. Eds. Christa Maar and Hubert Burda. Cologne: DuMont Verlag, 2004. 103-125. 2005 Excerpts from Voyage into Substance: Art, Science, Nature and the Illustrated Travel Account, 1760-1840, reprinted in Universal Experience: Art, Life and the Tourist's Eye exhibition catalogue, ed., Francesco Bonami. Museum of Contemporary Art, Chicago, January 2005. "Hedonics: Pleasure, Pain, and the Neurobiology of Feeling," in n.paradoxa: international feminist art journal, vol. 15, Scientific Ethics/Aesthetics (January 2005). http://web.ukonline.co.uk/n.paradoxa/index.htm "The Ineffable Allure of Hamantashen," The Great Debate: Latke or Hamentash? ed. by Ruth Cernea, 2005: The University of Chicago Press. * "Romatic Systematics and the Genealogy of Thought. The Formal Roots of a Cognitive History of Images," in Configurations, (Fall, 2005). http://muse.jhu.edu/journals/configurations/v012/12.3stafford.html "Artificial Intensity: The Optical Technologies of Personal Reality Enhancement," in Center or Margin: Revisions of the English Renaissance ed by. Lena Cowen Orlin. Selinsgrove, PA: Susquehanna University Press (in cooperation with Associated University Presses), 2005. "The Englightenment 'Catholization' of Projective Technology, Theurgy and the Media Origins of Art," in Histoire de l'histoire de l'art au XIXe siecle, eds. Roland Recht and Philippe Senechal. Paris: College de France, 2005. "Die 'Katholisiering' der Projektionstechnologie im Zeitalter der Aufklärung. Theurgie und die medialen Ursprünge der Kunst," in Kunstkammer, Laboratorium, Buehne. Schauplaetze des Wissens im 17. Jahrhundert, ed. by Helmar Schramm, Ludger Schwarte, Jan Lazardzig (Berlin: Walter de Gruyter, 2005). "Hedonics" and "Neurodynamics" in Abecedarius of the Sensorium, Exhibition Catalogue, Caroline A. Jones, ed. Cambridge, MA: MIT University Press 2005. "Mens-Incognita: Landfalls on an Invisible Interior," in ATOPIA Net Magazine (http://www.atopia.tk,), Island No. 8: "Terra Incognita" (October 2005). "Pain Under Pane," reprinted in The Alternative to What? Thread Waxing Space and the 90s, ed. by Lia Gangitano and Esme Watanabe. MAT Foundation, Forthcoming. * "The Remaining 10%: The Role of Sensory Knowledge in the Age of the Self-Organizing Brain," in Visual Literacy, ed. by James Elkins (New York: Routledge, 2005). 2006 Interview/ Discussion of Hyperrealism (with Horst Bredekamp), in TATE ETC (January 2006) http://www.tate.org.uk/tateetc/issue6/hyperrealism.htm .Essay-review "Working Minds," Perspectives in Biology and Medicine 48(8), 2006. http://muse.jhu.edu/journals/perspectives_in_biology_and_medicine/v049/49.1stafford.html "From Afore-to-After-Thought. Mirror Neurons and Guessing about Looks," Public, special issue on Errata: The Cultural Productivity of Errors, Accidents, and Unforeseen Events (forthcoming June 2006) * "Compressed Forms: The Symbol as Emblem of Neural Synchrony," lead essay in Emblematica (Summer 2006). * "Picturing Uncertainty: From Representation to Mental Representation," in Refresh!Histrories of Media, Art, Science, and Technology, ed. by Oliver Grau (Cambridge, Mass., and London: MIT Press, 2006). 2007 "Another Kind of Global Thinking: Commentary on The Art Seminar," in Is Art History Global? ed. by James Elkins (New York: London: Routledge, 2007), pp. 184-188. "From Genetic Perspective to Biohistory. The Ambiguities of Looking Down, Across, and Beyond", in Biotechnology, Art, and Culture, ed. by Eduardo Kac (Cambridge, Mass. and London: MIT Press, 2007), pp. 373-386. * "Self-Eugenics: The Creeping Illusionizing of Identity from Neurobiology to Newgenics," in Eugenics Special Issue, New Formations, 50 (May 2007). Review Essay, "Lasting Impressions," A Review of Douglas Hofstadter's I am a Strange Loop, for Perspectives in Biology and Medicine (forthcoming 2007). |
LECTURES, CRITIQUES |
Invited participant, ACLS inaugural workshop to articulate future needs and opportunities in the humanities with respect to digital technology and infrastructure, New York, NY, February 9, 2004. Commentator on session "Visualizing the Past", conference on History and Geography: Assessing the Role of Geographical Information in Historical Scholarship, Newberry Library, Chicago, IL, March 25-27, 2004. "Techniques of Epiphany" (at The University of Georgia) and "Technology, Instruments, and the Amplification of Reality" (at the Georgia Museum of Art), Lamar Dodd School of Art Visiting Artist/Scholar Program, University of Georgia, Athens, Ga., April 12-14, 2004. "Beyond Productivity," Responses to the National Research Council (NRC) Report, University of Illinois at Urbana-Champaign, Seedbed Initiative for Transdomain Creativity, April 16-17, 2004. "Sir William Hamilton's 'Shadow-Shews': Theurgy and the Media Origins of Art," Inaugural Speaker for Nicholson Center for British Studies, University of Chicago, April 22, 2004; Workshop: "Techniques of Epiphany," April 27, 2004. Visiting Scholar Series, "Art and Technology". Department of Art and Art History, DePaul University, Chicago, April 26, 2004. "Public Health as Public Art. The Role of Images in a Time of Epidemic," for the "Gender Science and Anatomy" Series Workshop and Public Lecture, Northwestern University, Chicago, May 3, 2004. "Projection and Epiphany : on the Forgotten Media Theory of the Origin of the Art", Colloque international, "L'histoire de l'histoire de l'art en France au XIXe siècle", Paris, France, June 3, 2004. Co-chair (with Bridget Elliott), Panel, Mapping the Body, International Congress of Art History (CIHA): Sites and Territories of Art History, Montreal, August 22-27, 2004. Symposium Speaker, "Outside In: Exploring the Human Genome Project from Across the Disciplines,"Mary and Leigh Block Museum of Art, Northwestern University, October 2, 2004. Keynote Speaker, "Interplay," Midwest College Art Association Conference, Minneapolis, October 7, 2004. Faculty-Graduate Student Seminar, Art History Department, University of Minnesota, Minneapolis, October 6, 2004. Chair, panel on "Scientific Mappings," at annual Science, Literature, and Society Conference, Durham, N.C., October 14-17, 2004. Paper,in same session :"Hedonics: Pleasure, Pain, and the Neurobiology of Feeling." "Optical Technology & the Construction of Subjectivity", The 2004 Dale Lecture, The University of Western Ontario, November 8, 2004. Invited Lecture, "Transcendence Machines: Nanotechnology's Romantic Vectors," Symposium: Das Bild in der Wissenschaft (Image in Science), Hamburger Bahnhof, Berlin, December 15-17, 2004.
"A Cognitive Aesthetics of Human Interiority", University of Southern California Workshop on Visualizing Science, February 25, 2005 "'Mirror Neurons': Looking at Face Painters from the Vantage of Brain Dynamics," Session: "The Face", Annual Meeting of the American Eighteenth-Century Society," March 31-April 3, 2005. Las Vegas, Nevada. Plenary Lecture, "Recapturing the Complexity of Mimesis: Mirrors and the Optical Technology of Subjectivity," Narrative: An International Conference, J.B. Speed Art Museum, Louisville, KY, April 8, 2005. Plenary Lecture, "The remaining 10%: The Role of Sensory Knowledge in the Age of the Self-Organizing Brain", International Conference on Visual Literacy at University College Cork (UCC), Ireland, April 14-15 2005. Plenary Lecture, Neuroaesthetics Conference, Goldsmiths College, London, May 20-21, 2005. Commentator for "Field Works: Art/Geography," at UCLA's Hammer Museum, Los Angeles, California, May 5-6, 2005. Keynote Speaker, "Artificial Intensity: The Optical Technologies of Personal Reality," Gender, Perfomativity and Technology, Institute for Women's Studies and the Institute for Science Studies, Lancaster University, Lancaster, UK, June 8, 2005. Invited Presenter, "Orientation: on the Pre- and Post-History of the Sublime." at Image and Meaning 2: Discovering New Visual Expressions for Science and Technology: A Participatory Forum, the Getty Center, Los Angeles, June 23-25, 2005. Invited Speaker at Inspiration of Astronomical Phenomenon Conference, June 26 - July 1, Adler Planetarium and Astronomy Museum, Chicago, IL. Plenary speaker, "Synchronizing the Local with the Distant: What Compressive Emblems Reveal about Oscillatory Brain Dynamics," Triennial Meeting of the International Society for Emblem Studies, Champaign-Urbana July 24-30, 2005. Organizer and Speaker, Plenary Panel: Image Science and "Representation": From a Cognitive Perspective; Refresh! First International Conference on the Histories of Media Art, Science, and Technology, Banff New Media Institute, Banff, Alberta, Canada, September 28 - October 2, 2005. Link to further information Chair of Plenary Panel: Feeling Thought: Reimaging Interiority in Light of Recent Cognitive Research, at Nineteenth Annual Conference of the Society for Literature, Science and the Arts, Chicago, IL, November 10-13, 2005. Cognitive Forum with Gerald Edelman, Warren Neidich, Katherine Hayles, Cary Wolfe, Eduardo Kac, Joseph Tabbi, at Nineteenth Annual Conference of the Society for Literature, Science and the Arts, Chicago, IL, November 11, 12, 2005.
Plenary lecture, "The Return of Autonomy: From the Aesthetic to the Cognitive Object," Freie Universität Berlin, February 6, 2006 Keynote Address, "Beyond the Atomistic Aperture: The Spiritual History of Apparatus," International Society For Photographic Education, Chicago, March 25, 2006. Address on the Occasion of the Rededication of Buttrick Hall (dedicated to Humanistic and Interdisciplinary Knowledge), Vanderbilt University, Nashville, TN, April 20, 2006. University Lecture for Depts. of Art, Art History, Film, Media
Studies, Philosophy and Neuroscience,"No Pictures on the
Inside: From Representation to Mental Representation," Lecture, Einstein Forum, Potsdam, June 6, 2006 Lecture, "On the Impossibilities of Self-Consciousness: From Representation to Mental Representation," in Conference on Representations of Impossibility, Institute for Hermeneutics and Philosophy of Religion, University of Zurich, July 7, 2006. Plenary Speaker, "Putting Images Back in Mind: From Representation to Mental Representation," University of Manchester, Manchester, UK, November 7, 2006. Invited Speaker, "Visual Formulas, Schema, and How They Mean," Seminar, Stanford University, Stanford, CA, January 16, 2007. Speaker, "Narrative or Episodic Self-Consciousness: The View from Neuroaesthetics" for Art and Psychoanalysis: Theoretical Perspectives from Antiquity to the Comic Strip, Annual College Art Association Conference, New York, February 14-17, 2007. Burke Lecturer, "The Return of Grammars of Expression: Schematizing Nature and the Body," for the Symposium on Human Nature: Future Worlds, Henry Radford Hope School of Fine Arts, Indiana University, Bloomington, IN, March 1, 2007. Inaugural Lecture, "Neuroscience and the Art Museum: What's Left of Selective Attention?" for the Lecture Series on The Future of the Art Museum, at High Museum, Atlanta, March 22, 2007. "Narrative or Episodic Self-Consciousness: The View from Neuroaesthetics" 23rd Annual Meeting of ASECS, Atlanta, GA, March 23, 2007. Invited lecture,"Compounding: Emblems and Neural Synchrony", SUNY-Buffalo, April 11, 2007. Lecture, "Grammars of Expression and the Encapsulation of Thought," in Conference on Humanities and Neuroscience, Bucknell University, April 20-22, 2007 Philoctetes Center for the Multidisciplinary Study of Imagination (New York): participant with Vittorio Gallese and David Freedberg in a roundtable "The Eye of the Beholder" exploring how and whether the discovery of mirror neurons can give some insight into the way art is perceived, what is perceived as art, and how art is understood and responded to, April 23, 2007, New York, NY. Plenary Speaker, for "Image Processes, Imagination and the Imaginary in Exchange between Cultural and Natural Sciences" at ZKM (Center for Art and Media Technology), Karlsruhe, Germany, May 3-5, 2007. Plenary Speaker, for Ubiquitous Media: Asian Transformations, Theory, Culture, & Society 25th Anniversary Conference, Tokyo University Hongo Campus, Tokyo, Japan, July 13-16, 2007. Stephen E. Ostrow Distinguished Visitor in the Arts, Reed College, Portland, Oregon, October 1-5, 2007. Dayton Visiting Artists Program, "Technologies of Interiority: Instrumentalizing Subjectivity," Connecticut College, New London, Oct. 17, 2007. Invited Speaker, NSF Workshop on Nano-Imaging, University of South Carolina Nano Center, October 25-27, 2007. "The New Attention Disorders and the Limitations of Autopoiesis," Society for Literature, Science and the Arts, 21st Annual Conference: CODE, Portland, Maine, November 1-4, 2007 Plenary Speaker, Representations of Invisible Worlds, Johann Wolfgang Goethe-Universität, November 5-9, 2007. Invited Speaker, "Philosophy and Ethics" Conference
[Species of Origin Templeton Research Fellow, Creativity: An Inquiry into the Nature of Innovation in Science, Art, Philosophy, and Religion, University of Southern California, Los Angeles, 2007-08. Lecture Series as Templeton Fellow, "Crystal and Smoke: Facets of Cognitive Aesthetics," University of Southern California, Los Angeles, January 28-February 10, 2008.
"Whatever Happened to Conscious Attention? Why the Brain Sciences Need the Aware-Making Visual Arts", Dialogues in Art and Architecture lecture series, Athenaeum Music & Arts Library, La Jolla CA, Tuesday, February 12, 2008 Invited Lectures, The Bar-Hillel Colloquium for the History, Philosophy and Sociology of Science, 27th Annual Series, sponsored by the Van Leer Jerusalem Institute, The Cohn Institute for the History and philosophy of Science and ideas, Tel Aviv University, the Edelstein Center for the History and Philosophy of Science, Technology and Medicine, the Hebrew University of Jerusalem. Jerusalem and Tel Aviv, March 23-29, 2008. |
PROFESSIONAL ASSOCIATIONS |
Alexander von Humboldt Association of America American Society for Eighteenth Century Studies British Association for Eighteenth-Century Studies College Art Association History of Science Society Societé française de l'histoire de la dermatologie Societé de l'histoire d'art français Society of Architectural Historians Society for Science, Literature, and Society |
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Elected or Appointed Office; National Committees; Advisory Committees Member, Folger Library Jubilee Readers Committee (19999 -2004) Member of the Advisory Committee to the Getty Center for the History of Art and the Humanities, 1985--2000 Elected Member-at-Large of the Executive Board of the International Society of Eighteenth-Century Studies (ISECS) Second Vice-President (1993-1994), Vice-President (1994-1995), President (1995-1996), American Society for Eighteenth-Century Studies. Member of the Board of Directors of the College Art Association, 1996 Advisory and Grants Board, The Camargo Foundation, 1999-2004. International Scientific Advisory Board, Hannover Expo 2000 (The World's Fair for the Millennium: Sections on the Future of the Past and Visions of The 21st Century) Advisor, Visual Rhetorics Project, Calvin College (Three-year NEH funded cross Disciplinary course development project) Chicago Round Table on the Year 2000 Advisory Board Member of American Board of the American Society for Eighteenth-Century Studies Book Reviews, 2000 Advisor for Henry Art Gallery (Portland OR) project "Better Living Through Science: Contemporary Art and Human Genomics," October 2000. Member, Advisory Board of the ASECS Book Reviews, Online project, 2000. National Academy of Science / National Research Council, Study Project, "Information Technology and Creativity", June 2000 - December 2001, Computer Science and Telecommunications Board (Project CSTB-L-99-11A) <http://www4.nationalacademies.org/cpsma/cstb.nsf> Planning Committee for the Congress to be held by the International
Society Member of Advisory Board, to form a new museum of the ancien Cabinet de Medailles at the Bibliotheque Nationale (Richelieu Building), Paris, France, 2004- Exhibit and Program Advisory Committee, Body Worlds: An Anatomical Exhibition of Real Human Bodies, Gunther von Hagens, Chicago, Museum of Science and Industry, February 2005. Review Committee on Humanities, Technology and Art/Design for the 21st Century at the University of California, Berkeley (2003). Resource Board for "Light and Mind," a five-part documentary series for PBS Television (2004 - ) Zeitschrift fuer Ideengeschichte, Advisory Board Advisory Board for re: place [Refresh/ New Media] 2007: The Second International Conference on the Histories of Media Arts, Sciences and Technologies, Berlin October 4-7, 2007 Member, Advisory Commitee, The Species of Origin Project [Charles Member of the Scientific Committee, Consciousness Reframed: New Realities: Being Syncretic, The Planetary Collegium's IXth International Research Conference, Vienna, Austria, 3-5 July 2008 |
Advisory Board of the American Society for Eighteenth Century Studies Configurations: A Journal of Literature, Science, and Technology Design Issues: A Journal of History, Theory, and Criticism European Romantic Review Intellect (Bristol, U.K.) The Oxford Encyclopedia of the Enlightenment The Semiotic Web Symbolism: An International Journal of Critical Aesthetics Technoetic Arts: an international journal of speculative research Visio: International Journal for Visual Semiotics Word and Image |
Ph.D. DISSERTATIONS |
Mary Holahan, "Althea Gyles and the Celtic Revival" (Registrar, Museum of Art, Wilmington, DE) Paul Schweizer, "The Rainbow and the Iconography of Hope on English Romantic Landscaping" (Director, Munson-Williams-Proctor Institute, Utica, NY) Mary Sheriff, "Fragonard's Fantasy Portraits in Relation to French Academic Theory" (Professor, University of North Carolina) Brian Lukacher, "The Projects and Architectural Theory of Thomas Gandy" (Associate Professor, Smith College) Christopher Johns, "The Patronage of Clement XI and the Paleo-Christian Revival" (Norman L. and Roselea Goldberg Chair of Art and Art History, Vanderbilt University). Erin Blake, "Zootropes and The Formation of the Nineteenth-Century Spectator", 2000, (Stanford University; BMS served as co-mentor) (Curator of Graphic Materials, Folger Library, Washington, DC) Anna Sigridur Arnar , "Livre d'artiste, Critical Instrument, Performance: Stéphane Mallarmé and the Book." (with honors), June 2000, (Assistant Professor, Moorhead State University, MN ) Mark Hinchman, "African Rococo: Houses and Portraits in the Eighteenth-Century Senegal", August 2000, (Assistant Professor, University of Nebraska, Lincoln) Katherine Haskins, "Informing Modernity: The Art Press and Art Reading in Early Victorian England 1830-1850" (with honors), December 2001, (Director of the Arts Library, Yale University). Craig Ashley Hanson, "Embodying Erudition: English Art, Medicine and Antiquarianism in the Age of Empiricism" (with honors), December 2003. Elizabeth Liebman, "Painting Natures: Buffon and the Art of the Histoire Naturelle", December 2003. Nancy Nield Buchwald, "Anxious Embodiments: Revenants of American Jewish Masculinities in Barnett Newman's Stations of the Cross", March 2004. Jessica Buben, "E=mc2: Image Equivalency and Pop-Metaphysics. The Pictorial as Discourse in the Atomic Age", June 2005, (Committee on the History of Culture).
In preparation Dawna Schuld "Nothing to Look at: Art as Situation and its Neuropsychological Implications."
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