| Articles, 1995-2003 |
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1995 (* Indicates one of Barbara's 12 most significant articles as listed in the Biosketch) " The Critic's Voice," Sculpture Magazine, Special Issue (May-June 1995). "De la marque. L'illustration de l'invisible dans les arts et la médecine à l'age des Lumières", La Part de l'Oeil 11, pp177-237 (1995). (Chapter IV of Body Criticism.) "Medical Ethics as Postmodern Aesthetics: Reflections on Biotechnological Utopia," edited by Tokin Siebers Utopian Visions (Ann Arbor, MI: University of Michigan Press, 1995). "Pain under Pane," for exhibition Beyond Ars Medica, Thread Waxing Space, New York, November-January 1995-96. 1996 "Cross-Cortical Romance: Analogy, Art and Consciousness," Art Issues (March/April 1996), 22-24. "Display and the Rhetoric of Contamination," Visualization in the Science, ed. by John Douard (Princeton University Press, 1996). "From Plato's Cave to the White Cube: On Images Meant to be Seen in the Dark," Art Issues, November 1996. Contributor, Naked to the Bone: Medical Imaging in the Twentieth Century, (Rutgers University Press, April 1996). 1997 Contributor, Dutch Art: An Encyclopedia, University of Utah, Salt Lake City, January 31, 1997. Passionate De-Scriptings. Review of Bruno Latour's Aramis, or the Love of Technology, Art & Text, April 1997. Noli me tangere, Art Issues, May 1997. * Educating Digerati, "A Range of Critical Perspectives: Digital Imagery and the Practices of Art History," Art Bulletin, June 1997, 214-216. Escaping the Shallows: Making a Case for the Intelligence of Images, The Chronicle of Higher Education, June 1997, B6-B7. "Gewalt und Naturgeschichte," in "Vortage" aus, dem Warburghaus I (with Jurgen Habermas, Salvatore Settis, Herfried Munkler) (Berlin: Akademie Verlag, 1997), June 1997, 31-74. "Wanting Shelter," Commissioned essay for Cristina Iglesias exhibition catalogue, Guggenheim Museum of Art, New York, June 1997. 1998 "Coldness," Art Issues, March-April 1998, 24-27. Educating Digerati, "A Range of Critical Perspectives: Digital Imagery and the Practices of Art History," Arts Education Policy Review, July-August 1998. "To Collage or E-Collage?" Harvard Design Magazine, Fall 1998, 35-36. "Blur," Art Issues, #55, November 1998, 18-22. 1999 "Seeing Double," Art Issues, #59, May-June 1999, 22-26. 2001 "Humanities in the Middle: Incorporating Information Technology," Tableau. Chicago, Illinois: The University of Chicago Press, 2001. "Art in the Domain of Ambiguity," Art Issues, no.
67 (March-April 2001), "Conceiving" (from Body Criticism), Collected Essays on the Grotesque in Modern Art, Cambridge University Press, December 2001. "The Epiphanic Sublime," in Sticky Sublime, ed. Bill Beckley (New York, Allworth Press, 2001). 2002 "Logic of Reconciliation", Dokumenta 11 (2002) exhibition catalogue, ed. Okwui Enzewor (Kassel: Dokumenta, 2002.) 2003 "Plague Man" and "Anatomy Lesson," in
The Anatomy Lesson: Conversations With "Wissensgesellschaft und Pictural Turn- Ist die Wissensgesellschaft eine Bildgesellschaft? Ein Gesprach mit Stefan Iglhaut und Thomas Spring," Interview with Horst Bredkamp, Science and Fiction (2003) exhibition catalogue, ed. Stephan Iglhaut and Thomas Spring (Berlin: Jovis, 2003). English Translation: "Knowledge Society and Pictorial Turn--Is the Knowledge Society an Image Society," exh. cat. Between Nanoworlds and Global Culture. Science + Fictions, interview with Horst Bredekamp, ed. by Stefan Iglhaut and Thomas Spring (Berlin: Jovis, 2004), pp. 63-83.
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