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art72-94 |
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Articles1972-79 * 1980-89 * 1990-94 * (* Indicates articles suggested as being among her 12 most significant) |
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"Medusa, or the Physiognomy of the Earth: Humbert de Superville's Cosmological Aesthetics," Journal of the Warburg and Courtauld Institutes, 35 (1972), 308-338. "Les deux edifices': The New Areopagus and a Spiritual Trophy, Hubert de Superville's Vision of Utopia," Art Quarterly, 35 (Spring 1972), 49-73. "Mummies, Herms, and Colossi: Easter Island and the Origin of Sculpture," Art Quarterly, 36 (Summer-Autumn 1973), 31-55. "Rude Sublime: Taste for Nature's Colossi in the Late Eighteenth and Early Nineteenth Centuries," Gazette des Beaux-Arts. "Arena of Virtue and Temple of Immortality: An Early Nineteenth Century Museum Project," Journal of the Society of Architectural Historians, 35 ( March 1976), 21-34. * "Toward Romantic Landscape Perception: Illustrated Travel Accounts and the Rise of ' Singularity' as an Aesthetic Category," Art Quarterly, 1,.N. S. (Autumn 1977), 89-124. * "Beauty of the Invisible: Winckelmann and the Aesthetics of Imperceptibility," Zeitschrift fur Kunstgeschiechte, Sonderdurck XLIII (1980), 65-78. "Les meterores de Girodet," La Revue de l'Art, XLVI (1979), 46-51. "Science as Fine Art: Another Look at Boullée's Cenotaph for Newton," Studies in Eighteenth Century Culture, Vol. XI, 1980, 241-278. "Endymion's Moonbath: Art and Science in Girodet's Early Masterpiece," Leonardo, XV (Summer 1982), 193-198. "Ballooning and the Taste for Discovery," in The Balloon, A Bicentennial Exhibition, University of Minnesota Art Museum, 1983. "Characters in Stones, Marks on Paper: Enlightenment Discourse Concerning Natural and Artificial Taches," Art Journal, 44 (Winter 1984), 233-240. * "From Brilliant Ideas to Fitful Thoughts: Conjecturing the Unseen in Late Eighteenth-Century Art," Zeitschrift fur Kunstgeschichte, 48 ( Fall 1985), 329-364. "Vagaries of the Mind: The Birthmark as Mental Tattoo," The Johns Hopkins Medical Institutions Video Library, 1986. "Peculiar Marks: Lavater and the Countenance of Blemished Thought," Art Journal, 46 ( Fall 1987 ), 185-192. * "Illiterate Monuments: The Ruin as Dialect and Broken Classic," The Age of Johnson, I (1987), 1-33. "The Eighteenth Century: Towards an Interdisciplinary Model, " Art Bulletin, 70 ( March 1988 ), 6-24. (Article commissioned for the " State of-the Field" series) "Picturing the Invisible: Kenneth Snelson's Portrait of an Atom," Kenneth Snelson. The Nature of Structure, New York Academy of Sciences, California Museum of Science and Industry, and National Academy of Sciences (1989-1990), 51-57. "One Face of Beauty, One Face of Health: The Hidden Aesthetic of Medical Practice," with John LaPuma, M.D. and David L. Schiedermayer, M.D., Journal of Medicine and Philosophy 14 (1989), 213-230. "Magnifications: The Eighteenth-Century Fortunes of a Primitive and Universal 'Imagistic'" Scritti in ricordo di Giovanni Previtali, II, Prospecttiva, 57-60 ( April 1989-October 1990), 308-315. * "Fantastic Images: From Unenlightening to Enlightening Appearances' Meant to be Seen in the Dark," Aesthetic Illusion, ed.by Frederick Burwick and Walter Pape (Berlin: De Gruyter, 1990), 158-179. "Les idees 'inees': La conception winckelmannienne de la creation," Winckelmann, ed. by Edouard Pommier (Paris: Reunion de musées nationaux, 1991), 137-160. * "Voyeur or Observer? Enlightenment Thought on the Dilemmas of Display, " Configurations, I (no. 1, 1992), 93-126. "The Art of Conjuring, or How the Romantic Virtuoso learned from the Enlightened Charlatan," Art Journal, 52 (Summer 1992). "Present Image, Past Text, Post Body: Educating the Late Modern Citizen," Guest Editorial, Semiotica, 91 (Fall 192), 195-198. "Presuming Images and Consuming Words: The Visualization of Knowledge from the Enlightenment to Postmodernism, " Consumption and the World of Goods, ed.by John Brewer and Roy Porter (London: Routledge, 1993), 462-477. "Images of Ambiguity: Eighteenth-Century Microscopy and the Neither/Nor, " Visions of Empire: Voyages, Botany and Representations of Nature, Center for Seventeenth Century Studies, University of California, LA (Cambridge, MA: Cambridge University Press, 1993). "Instructive Games: Apparatus and the Experimental Aesthetics of Imposture," Reflecting Senses, Perception and Appearance in Literature Culture, and the Arts, ed. by Walter Pape and Frederick Burwick. "The Eighteenth-Century at the End of Modernity: towards the Re-Enlightenment," in The Past Prologue, edited by Carla Hay (New York: AMS Press, Inc. 1994). "Making Images Real: Toward a Pragmatic Aesthetics and an Applied Interdisciplinary," The J. Paul Getty Trust Newsletter (Spring 1994). 1995 - 2003 Articles from 1995 - 2003 are listed at http://home.uchicago.edu~bms6/art95-03.html.
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