Jeffrey R. Tharsen     康森傑

Associate Director of Technology
Lecturer in the Humanities and in the College
M.A. Thesis Counselor

Digital Humanities Forum co-chair (2016-present)

Dept. of East Asian Languages & Civilizations (Ph.D. 2015)

Forum for Digital Culture, Division of the Arts & Humanities

The University of Chicago


Research and Teaching


A computer scientist and sinologist with a deep love of Chinese philology and phonology, my work is informed by a diverse variety of languages and literary traditions, ancient classics and cutting-edge technologies. Over the last 25 years I've been primarily engaged in the study of premodern literatures and linguistics, intertextuality, philology and intellectual history in a number of languages and traditions. Fascinated by the ways literary artistry in poetry and prose utilized various forms of phonological patterning, I developed a computational methodology and digital system to reveal the intricate ways that acoustics, metrics and semantics are employed in concert throughout the Chinese classics, then plotted all the intertexual relationships between many of the most eminent works in Chinese history. It is my hope that approaches like these will help us better understand classic works produced in many traditions, how their contents and uses transformed over time, and how we can best build and deploy modern technologies to bring the lessons from their words, their sounds and forms, their histories and traditions, and the cultures that produced and transmitted them to modern audiences.

Over the past decade I've been teaching and working in the fields of computational approaches to the humanities and more recently, artificial intelligence (AI). We've been focusing on building generalizable large-scale methods for intertextuality, phonology and rhetoric, philology and intellectual history, inventing new systems for textual and linguistic analysis, new data architectures, and new computational methods and frameworks that can be successfully applied to a wide variety of languages and traditions.

As the Division of the Arts & Humanities' Associate Director of Technology, I serve both as primary mentor to students interested in pairing humanities research with computational methods and as director of teams of students, colleagues, engineers and scholars working to bring individualized research projects with digital and/or computational components to fruition and provide new insights into established disciplines. In the Digital Studies program, I teach advanced computational methods and their applications in specific humanities disciplines: AI and deep learning, natural language processing and computational linguistics, large language model (LLM) architectures, network analysis, machine learning, high-performance computing, text mining, segmentation, automated text parsing, and a variety of advanced data analytic and visualization strategies.

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On Chinese Euphonics:
About two decades ago I was struck by the following question: How can we hear what Shakespeare’s plays sounded like in his time, or Sappho’s verses, or the songs of ancient Sumer? As they were written in phonetic scripts, modern historical linguists have largely been able to reconstruct the sounds of these works. Chinese has always utilized a logographic as opposed to a phonetic script, so dramatic shifts in pronunciation down through the millennia have largely obscured the original sounds of the language; much premodern Chinese rhyming poetry no longer rhymes and many of the intricate phonological patterns in classical prose have been completely lost. In an attempt to create a method via which scholars can approximate the original sounds of these works in their entirety, I developed a digital phonological toolkit and suites of computational tools that permit the efficient, broad comparative analysis of the complete sound patterns in any Chinese text, modern, premodern or ancient.

Initial results have provided new evidence for intricate phonological patterning in many of the great classics of the Chinese canon: the elegant euphony, prosody and literary artistry of ancient masterworks of poetry and prose. This new method also allows for the efficient use and comparative evaluation of phonological systems and can be a useful tool for teachers, learners and scholars of modern and classical languages, phonology and poetics. Thanks to modern database technologies and new types of digital texts and digital tools, we can now efficiently muster and deploy a wide variety of lexical and textual resources with just a few clicks of the mouse: The Digital Etymological Dictionary of Old Chinese (edoc.uchicago.edu) mentioned above is an online toolkit via which any user can instantly perform comparative phonological and phonorhetorical analyses of virtually every graph in any user-provided Chinese text.




For selected Conference Papers, Lectures and Workshops, see Curriculum Vitae

Selected Recent Publications: Books


   Chinese Euphonics: Phonological Patterns, Phonorhetoric and Literary Artistry in Early Chinese Narrative Texts
   Berlin: DeGruyter ©2024
   ISBN: 978-3110663105 PDF


















   Digital Methods for Traditional Chinese Literary Studies.
   Journal of Chinese Literature and Culture 5.2, Special Edition, Nov. 2018.
   ISBN 978-1-4780-0496-7
   Co-Editor, with Thomas J. Mazanec and Chen Jing















Selected Recent Publications: Articles, Translations, Book Chapters, Software

“Texts as Nodes and Neurons: Intertextuality and Intertextual Networks for Comparative Philology and Computational Intellectual History”, in Prism: Theory and Modern Chinese Literature, Spring 2026, Duke University Press.

“Digital Studies and Digital Humanities Pedagogy in the Age of AI” (in process, with Ulsan National Institute of Science and Technology UNIST, South Korea).

With Horvath, Wagner, Wrisley et al. “Who are the Users in Multilingual Digital Humanities?” Digital Scholarship in the Humanities, 2025. doi.org/10.1093/llc/fqaf091

Dombroski, Quinn; Gniady, Tassie; Kloster, David; Meredith-Lobay, Megan; Tharsen, Jeffrey and Zickel, Lee. “Voices from the Server Room: Humanists in HPC.” In Computational Humanities, University of Minnesota Press, 2024. Series Editors: Jessica Marie Johnson, David Mimno, Lauren Tilton. doi.org/10.5749/9781452973098

“Offering for Qu Yuan 祭屈原文.” In Eternal Nostalgia: An Anthology of Mourning Poems and Prose/Essays from Imperial China, eds. Victor Mair and Zhenjun Zhang, Columbia University Press, 2024.

“From Form to Sound 自形至聲 : Visual and Aural Representations of Premodern Chinese Phonology and Phonorhetoric with Applications for Phonetic Scripts.” International Journal of Digital Humanities 4, 2023. doi.org/10.1007/s42803-022-00053-8 PDF

Tharsen, Jeffrey and Gladstone, Clovis. “TextPAIR Viewer (TPV) 1.0: An Interactive Visual Toolkit for Exploring Networks of Text Alignments and Text Reuse.” Shuzi renwen 數字人文 2, 2022. PDF

Tharsen, Jeffrey and Gladstone, Clovis. “Using Philologic For Digital Textual and Intertextual Analyses of the Twenty-Four Chinese Histories 二十四史.” Journal of Chinese History 4.2, 2020: 558–63. doi.org/10.1017/jch.2020.27 PDF

“Comparative Phonorhetorical Analyses of Speeches in the Zuo Commentary and the Discourses of the States”, In Journal of Chinese Literature and Culture 6.2, Autumn 2019. Journal Editor: Cai Zong-qi 蔡宗齊. www.chinesepoetryforum.org/?page_id=858#6.2 PDF

“早期中国散文中作为文本构建工具的音韵修辞和音韵模式” [“Phonorhetoric and Phonological Patterns as Text-Structuring Devices in Early Chinese Prose”], In Studies in Prosodic Grammar《韻律語法研究》 2019 (2), Autumn 2019. Journal Editor: Feng Shengli 馮勝利. ISBN 978-7-5619-4894-1 PDF

The Digital Etymological Dictionary of Old Chinese 《古漢語詞源字典》 1.0, digital metadictionary and suite of computational tools designed to assist with the analysis of phonological and phonorhetorical structures in Chinese texts, 2010-present. Accessible online at edoc.uchicago.edu

chapakhana 1.0, website featuring series of interactive maps in CartoDB allowing users to explore the history of printing in South Asia, including a gallery of images taken from the printing houses and their publications, 2017-19 (PI: U.Stark, website designer: S.Elahi). Accessible online at chapakhana.rcc.uchicago.edu

The Sign And Gesture Archive (SAGA), large-scale digital archive of videos of signers/homesigners, gesturers and speakers plus associated metadata and annotation/coding files, including basic and advanced search and view modules with full security apparatus for IRB privacy controls, 2015-present. Currently in development; accessible online at saga.rcc.uchicago.edu

“Review: Reading Philosophy, Writing Poetry by Wendy Swartz”, In CLEAR (Chinese Literature: Essays, Articles, Reviews) 40 (2018). Editor: William H. Nienhauser, Jr. ISSN 0161-9705

Tharsen, Jeffrey R., Mazanec, Thomas J. and Chen Jing. “Introduction” In Digital Methods for Traditional Chinese Literary Studies, Journal of Chinese Literature and Culture 5.2, Special Edition, November 2018. doi.org/10.1215/23290048-7256950 PDF

Liu Chao-Lin 劉昭麟, Mazanec, Thomas J. and Tharsen, Jeffrey R. “Exploring Chinese Poetry with Digital Assistance: Examples from Linguistic, Literary, and Historical Viewpoints,” In Digital Methods for Traditional Chinese Literary Studies, Journal of Chinese Literature and Culture 5.2, Special Edition, November 2018. doi.org/10.1215/23290048-7257002 PDF

The Visual Text Explorer (VTE) 1.0, user-customizable interactive digital visual interface designed for analytics of words and phrases in user-provided sources, allowing for simultaneous close and distant reading and multidimensional data analytics, 2016-2018. Accessible online at edoc.uchicago.edu/vte

Chinese Euphonics: Phonetic Patterns, Phonorhetoric and Literary Artistry in Early Chinese Narrative Texts, Ph.D. dissertation, University of Chicago, 2015 (Chinese Euphonics manuscript under contract and accepted for publication, DeGruyter “Worlds of East Asia” series, publication 2024.) doi.org/10.6082/M1XS5S9K

Intertext 0.9, customizable digital toolkit designed to assist with the identification and philological analysis of words and phrases in series of files, 2014-16 [Currently in beta at edoc.uchicago.edu/textccr.]

“Talking Shop: Digital Resources for Sinologists 1.0”, with Holger H. G. Schneider, Dissertation Reviews, Published May 27, 2014; accessible online at http://dissertationreviews.org/digital-resources-sinologists/

“Poetic Diplomacy : The Practice of fu shi 賦詩 in Parallel Passages from the Zuo zhuan《左傳》 and Guo yu《國語》”, M.A. Thesis presented to the University of Chicago, Dept. of East Asian Languages & Civilizations, 2012

“The Paleography, Rhetorical Structure and Content of the Shanghai Museum Chu Bamboo Manuscript ‘San de’〈參德〉”, M.A. Thesis presented to the University of Chicago, Dept. of East Asian Languages & Civilizations, 2012

“The ‘Offerings’ Chapter of the Wen xuan《文選‧祭文》”, M.A. Translation presented to the University of Chicago, Dept. of East Asian Languages & Civilizations, 2011