QElizabeth Envisioning the Renaissance

Fall 2008
MWF 11:30-12:20
Professor: Laura Aydelotte
lea1@uchicago.edu
Office Hours: Friday 10:30-11:30
Rosenwald 510 (accessed from the 4th floor of Rosenwald)
Chalk Site (Working Again! Access for registered students only.)



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Description:

Welcome to "Envisioning the Renaissance." This course will explore the interaction between poetry and the visual arts in the English Renaissance in relation to the themes of sex, politics,and religion during the Elizabethan and Jacobean periods. The poetic works we will be reading include drama by Shakespeare, Jonson and Webster; verse by Sidney and Spenser; and religious poems by Donne and Herbert, among others. Alongside these poetic works we will be looking at a wide variety of visual representations from the same period including portraits, architecture, stage designs and emblems.

Course Texts and Images:


Requirements and Assignments:



Course Schedule
Week 1 King and Country and Visions of the Virgin Queen
Introductory Lecture and Richard II
Reading: William Shakespeare, Richard II
Images: Portraits of Elizabeth and other Royalty
Early Modern Maps of England
Optional Reading: Opening chapter to Roy Strong's Gloriana: The Portraits of Queen Elizabeth I (in course packet, full text available on course reserves)
Week 2 Love in Miniature
Reading: Sonnets by Sir Thomas Wyatt: "Whoso List to Hunt" and "They Flee from Me" Norton pp. 595 and 599. Sir Phillip Sidney: sonnets 1, 7, 9 &71 Norton pp. 975, 976, 977, 986 William Shakespeare: sonnets 11& 24 (handout) sonnets 18, 20, 55, 130
Images: Miniature Portraits
Optional Reading: Chapter on sonnets and miniatures from Patricia Fumerton's Cultural Aesthetics (in course packet, full text available on course reserves)
Week 3 Temptation in the Garden
Reading: Edmund Spenser, "Muiopotmos"
Faerie Queene Book II, Canto 12
Week 4 Word and Image in the Emblem

**Trip to special collections Friday October 24**

Reading: Poems from selected emblems in Quarles, Whitney, and Wither (see link below to English Emblem Books Online)
Introduction to Rosmary Freeman's English Emblem Books
Excerpt from Samuel Daniel's translation of Paolo Giovio's Dialogo dell'impresse (handout)
Images:
English Emblem Books Online (a selection of English emblem books from the 16th and 17th centuries including Wither, Whitney and Quarles)
Alciato Website (multiple editions of the first published emblem book)
Alciato's Emblems (another edition)
Dutch Love Emblems (not being taught in class, but fun to look through)

Jan Van der Noot, A Theatre for Worldings
Andrea Alciati, Emblematum Liber
George Wither, A Selection of Emblems
Geoffrey Whitney, A Choice of Emblems
Francis Quarles, Emblems

Book History Resources: Early English Books Online (EEBO) This link will take you to the link on the library page which you can click on to access EEBO through your proxy server. EEBO contains digital facsimiles of nearly every book printed in England prior to 1700.
English Broadside Ballads Online Click the "Background Essays" link to the left for some essays offering background information on Early Modern English print culture. Also a fun site for looking at and listening to popular ballads from the period.
Short Book HistoryThough not a scholarly resource, this site gives a good brief general overview of book history from the Middle Ages into the Renaissance which may be helpful.

Optional Reading: Tessa Watt, Cheap Print and Popular Piety (on course reserve list) Bradin Cormack & Carla Mazzio, Book Use, Book Theory (available for in building use at Special Collections)
Week 5 Religion and the Metaphysical Image
Reading: George Herbert: The Church-Floor (handout), "The Altar," "Easter Wings," "Church Monuments," "The Windows"(in the Norton starting P. 1607)
John Donne: The Holy Sonnets (read all the holy sonnets collected in the Norton, p. 1284), "Good Friday, 1613," "The Cross" (in reading packet)
Images: Selected Religious emblems and broadside images
Images of English church architecture


**First Paper due in class Monday, October 27th**
Week 6 New World Sights
Reading: William Shakespeare, The Tempest
Images: Selected prints and drawings from travel accounts
Early Modern Maps

Optional ReadingRichard Helgerson, "The Folly of Maps and Modernity"
Week 7 The English Court
Reading: Ben Jonson, The Masque of Blackness, The Masque of Oberon, "Expostulation with Inigo Jones" and "To Inigo Marquess Would Be A Corollary"
DJ Gordon. "Poet and Architect: The Intellectual Setting of the Quarrel between Ben Jonson and Inigo Jones."
Images: Sets and costumes from the masques and images of Whitehall architecture
Optional Reading: First Two Chapters from Stephen Orgel, The Illusion of Power, "Theaters and Audiences" and "The Royal Spectacle"
Week 8The English Country
Reading: Ben Jonson, "To Penshurst"
Amelia Lanyer, "The Description of Cooke Ham"
Andrew Marvell "The Garden," "Upon Appleton House"
Images: The Penshurst home and other English estate architecture
Garden plans and drawings
Week 9 Showing the Dysfunctional Family on Stage
Reading: John Webster, The Duchess of Malfi
Images: Family Portraits
**THANKSGIVING BREAK**
Week 10 Our Revels Now Are Ended
Finish Webster and Concluding Lecture

**Final paper due December 8th**


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Viewing the course images on ARTstor


1. Go to the ARTstor site here: ARTstor

2. In the upper right hand corner there will be a little box that says "Enter the ARTstor digital library. Click the orange "Go" button in that box.

3. There will now be a new screen with another little box in the same place that says "Log in to ARTstor." If you don't already have an account, click on the "Not registered?" link to create one by entering your e-mail and a password. This should work if your University proxy server is functioning correctly, but if you are having trouble registering, see step 4.

4. (Skip this if you successfully registered in step 3.) If your proxy isn't working to allow you to register, you'll need to either register for the first time on campus in the library (after that it should work remotely) or try directly accessing via the library proxy by going to the library database page and clicking on the link to ARTstor there (artstor link in library database) From there you should be able to register for the site as described in steps 1-3 above. If none of this works, e-mail me and I will try to help.

5. Once in ARTstor, you will be able to access the files with the course images. The files are password protected, so you will need to go to the "Find" tab and then select "Unlock password protected folder." In the prompt type in your name and the password, which is "holbein." This should allow you to open the main folder "Envisioning the Renaissance." Images are sorted into subfolders named according to the lecture number in which they were presented.

Again, if you have problems with any of the above, please contact me at lea1@uchicago.edu, and I will do my best to help.

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