
A Brief Introduction to
English Academic Costume
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The earliest academic dress worn in England was undoubtedly clerical. At the establishment of Oxford and Cambridge, students were ordained into either minor or major clerical orders, and were thus confined by the dress regulations of that order. These clerics wore robes with a cowl or hood, which then evolved (by the mid fifteenth century) into the garments illustrated at right. |
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This style of clothing was worn at the universities until the reformation, at which point the doctors adopted the Tudor robe[1], commonly worn by gentlemen throughout Northern Europe in the sixteenth century (see right). The robe was worn over common clothing. Sumptuary laws and university regulations were relaxed, allowing the robes to be furred (as at right) or lined in silks of bright colors. |
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The gown, hood, and mortarboard which we generally associate with Cambridge and Oxford has evolved from the sixteenth century Tudor loose robe and the biretta cap, sported by our friend Erasmus in the inset above. |
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The color of a doctor's hood was restricted by sumptuary customs to black, red, or blue, excepting doctors of theology and canon law, who, as religious men, were restricted to black. These limitations provided the justification for the modern practice of assigning different hood colors to each discipline, which was not done until the 18th century. |
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Pre-Reformation
Doctoral Garb
at Oxford and Cambridge:
Who wore what?
The information given below is specific to what was worn by the doctors of Cambridge and Oxford during normal occasions, including lecture days. On special occasions such as graduations and major feasts, more elaborate garb was permitted.
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Doctors of Divinity |
Doctors of Canon Law |
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Doctors of Civil Law |
Doctors of Medicine |
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Doctors of Music |
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This degree does not really emerge until the Reformation, having been a degree which did not confer any special rights or privileges to the recipient. Because of the mundanity of this degree, the recipients were not truly included in university life. However, in the few times when they are mentioned or portrayed, they seem to adopt the dress of Doctors of Medicine or Civil Law. |
Common
Components of
Pre-Reformation English Doctoral Clothing
Description of the garments:
Armelausa: A cape, like a Byzantine mantle, worn over one shoulder (depictions I’ve seen are over the left shoulder, leaving the right arm free) over the cappa.
Biretta: a black cap comprised of squares of fabric (see the portrait of Erasmus)This hat evolved into the modern mortarboard hat.
Cappa: see next page
Caul: see next page
Hood: See next page
Pileus: See the cap on the figure to the left. The pileus protects the tonsured head. The apex (the point sometimes on the top of the pileus), added about mid-15th century, is the precursor of the tuft on the biretta, beret, and the tassel on the modern mortarboard.
Roba/Toga/Supertunica/Tunica: These terms are names for various garments worn under the cappa. In general, clerics wore the appropriate clothing to their order and lay scholars wore ordinary clothing. See next page.
Tabard: The Middle-left group in the Oxford picture (page 1) are wearing tabards over tunicas. The tabard fell out of academic usage.
Tippet: long tubes of material hung from the shoulders, down the back of the gown. Thought to be vestigial appendages of the bourrelet.
Medieval English Doctoral clothing
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Cappa |
Tunica |
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The cappa is always
depicted under either a cowl or hood. Because
of this, the cut of the garment is unclear, but it appears to be similar to
the Benedictine robe. It is
evident, however, that there is a large amount of fullness at the hem, and
that this fulness is evenly represented all the way from the hem to the
neckline. In my opinion, this
drape can be achieved through only one method:
to cut the cappa as an elongated circle. |
The tunica, the garment worn beneath the cappa,
has not been clearly evidenced. However,
it is presumably either the habit of the religious order of the wearer or,
when the scholar is a layperson or secular cleric, an ordinary secular
garment. A simply-cut lay tunic
is depicted above, based upon extant surviving garments of the 12th
–14th century[2]. The tunica was probably lined with fur or wool, as some
cuffs are shown with a “border” of fur (more likely the fur lining showing
at the cuff) |
| The circle can be cut in one of two ways: |
Cowl
and Hood |
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1.
Triangular gores can be sewn together to form a circle. (yellow lines
on the diagram)
2.
Several lengths of fabric can be sewn selvedge to selvedge to create
one very wide piece of fabric (orange lines on diagram). Various forms of the cappae, differenciated by the
location of the arm slit(s) include: Cappa clausa:
Open (conjecturally) from the waist to the neck, fastened with a
brooch. (red line above)
Pallium (cappa
nigra): Not to be confused
with the liturgical garment, open from each armpit to the waist (green line
above).
Cappa
mantica: a shorter garment
than the cappa clausa or the Pallium, arm slits cut as shown
above in purple. Most cappae were black and could be made of wool
or silk. Fur of various sorts
were used as linings – prohibitions were placed, securing the finest furs
for high ranking doctors (this of course was often waived for persons of
means). |
The cowl/hood is the easiest item of academical costume
to reproduce as several medieval hoods survive from excavations in London.
See Crowfoot’s Textiles and Clothing c. 1150-1450 for
information on the cut and construction of this garment. Unless specifically restricted, both the hood and cowl of
Masters or licentiates (and those of high estate) could be lined with wool or
fur in the winter and silk in the summer.
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BIBLIOGRAPHY
Franklyn,
Charles A. Academical Dress from
the Middle Ages to the Present Day. W.E.
Baxter, LTD, Lewes, Sussex. 1970
Hackett, Rev Fr
Benedict. The Original Statutes
of Cambridge University: The Text and its History. Cambridge University Press, Cambridge. 1970
Hargreaves-Mawdsley,
WN. A History of Academical
Dress in Europe until the end of the Eighteenth Century. Clarendon Press. Oxford.
1963
Hastings, Rashdall, The Universities of Europe in the Middle Ages. 1895
Mayo, Janet, A
History of Ecclesiastical Dress. Holmes
& Meier Publishers Inc, New York, 1984
Rait, Robert, Life
in the Medio University. Cambridge
University Press, Cambridge, 1918
Images:
color art photos from the Web Gallery of Art.
Black and white line drawings and prints are taken from
Hargreaves-Mawdsley with the exception of the conjectural sketches of the Cappa
and the Tunica which are original art.
[1] See Arnold, Janet: Patterns of fashion for information on the cut and construction of this garment.
[2] See similarly cut garments in Crowfoot, Textiles and Clothing c. 1150-1450 for information on the cut and construction of this garment. See histories of ecclesiastical costume for the appropriate clerical garment.